Thursday, 30 November 2017

MK Fifty

Pathfinding


A quick post, in case you've wondered what else I've been up to in 2017, the year that Milton Keynes turned fifty years old.

Soon after the MK Calling exhibition at MK Galley, I had a solo exhibition at Stantonbury Gallery, Milton Keynes.

This exhibition at Stantonbury Campus explored the unpredictable nature of the urban landscape and the winding path of the emerging artist. These paths were represented by a series of works created during and after my Fine Art degree. The images look at the contemporary art world and the contemporary urban world, asking you to enquire about the usefulness of endeavour in the face of the temporary nature of success and the variety of ways achievements are absorbed by and re-purposed by the environment they exist in. These vignettes of decisive moments in the paths creative artists tread, mark the progress across unclear boundaries between achievement and failure, death and renewal.

Works on show included photographic prints from my degree final project. As my sketchbooks had been a popular item at MK Calling, I brought a few of those along to share at the private view.

Whilst this was a small event, it at least afforded me a sense of closure about my degree work, as I was able to show more of my final work to the public. This made up for the lack of a final university degree exhibition, a rite of passage which most fine art degree students expect as a matter of course. My final work had been displayed at the University of Northampton for grading by my tutors but unfortunately the university didn't permit me to share this with my friends and the general public at the time.

You can find a couple of photos about the Pathfinder exhibition on Instagram.




Image: Untitled (Path), a triptych of photographic prints, mounted on board.  Approx. (h. 430cm x w. 230 cm) x 3.



Installation view of Pathfinder at Stantonbury Gallery. The empty plinths were used to display some of my sketchbooks on the day of the private view but could equally be taken to represent the ephemeral nature of some artworks and artists' careers.