Showing posts with label Milton Keynes. Show all posts
Showing posts with label Milton Keynes. Show all posts

29 January 2025

Creativity in the Year of the Snake

Boosting Your Creativity in the Year of the Snake

Two cow sculptures from an art installation by Liz Leyh.
Photo by S. Raymond.


Making art is never about the equipment, it is always about the artist. 

Without intention and action there is nothing. 


A New Hope

As the 2025 Year of the Snake is associated with the Wood element, it symbolises a return to creativity, growth, and renewal. Yet, many of us are on a limited budget after funding cuts and 'cost of living' savings, so how do we move forward again?

As artists, we are frequently buying better equipment, going on courses for new techniques, having to buy tickets to exhibitions.* All of that is valuable to update our skills, or when old equipment needs replacing. Yet, none of this is an act of creation. We often don't always need to use something expensive to create great work. 

Consider this: Liz Leyh's cow sculptures (and a replica by Bill Billings) were made with concrete and chicken wire, as part of a community art project. They became a symbol of the new city of Milton Keynes (see photo above). Would they have made as much of an impact if they'd been made in bronze or marble?


Artists Are Natural Hoarders

Many arts and crafts people have a studio space, spare room, a shed, or even just a cupboard, full of art equipment they aren't using. Added to which, we often store our old work there too, as an archive or until we exhibit or sell it. 

For example, last year a friend 3D printed a mini press, by the Open Press Project, as a birthday gift for me. I was delighted and would have liked to try it straight away. However, last year was quite chaotic on a personal level, so I eventually put it aside, unused, into a drawer. 


Recycle, Reuse, Reduce 

There are alternatives though. The 'Recycle, Reuse, Reduce' approach to life can also apply to our arts practice. It's also helpful when funds are low. So here's a quick list of ideas for how we can all make more from less in the year of the Snake. 

- Reuse your old print art and magazines - print works can be printed or painted over, used in collage, or in craft projects such as as book covers, or to make cards

- Many b/w photographs or prints can be transferred to other surfaces, to be painted over or made into print blocks

- Photographers: join a 'shitty camera challenge' and reuse your old cameras that have seen better days

- Recycle your old art materials and magazines by offering them to your local art clubs and community services. Libraries and charity shops will accept books and magazines in good condition. Charities that offer art therapy may accept materials, as may children's play groups. 

- Give your old art to your friends, family, or a library. Now it's both a gift and also someone else's problem to store or display. Tell them "it'll be worth a fortune in the future", which may even be true! The central library was loaned paintings by internationally-exhibited contemporary artists Boyd & Evans, which made it more accessible for many as well as helping the artists free up some workspace. 

- Get inspired by the Arte Povera movement - making great art out of unconventional materials 


What do you think of these art tips - do any resonate for you?


* HMRC self-employment expenses


23 March 2021

March 2021

 A Brave New World


Installation view of the 'Garfield Weston' gallery,
 MK Calling 2020, with the vitrine my art was displayed in (right)
Picture credit: MK Gallery. 

Contemporary Drama

MK Calling 2020 is the longest-running exhibition I've been in so far. This group exhibition, at MK Gallery, opened in February 2020, temporarily closed for lockdown late in March and finally re-opened with an extension until November 2020. In all that time, I managed just two visits in person, as I've being at home every since the first lockdown. 

Of course, like many other people, I was hoping the COVID-19 pandemic would be over quickly and wondering when, or if, we would get back to 'normal' life. Initially I was optimistic that I'd catch up with my reading, make art, maybe start designing an online arts course. The reality was that my productivity ground to a halt. Instead of breaking new ground online, my broadband struggled as everyone around me logged on at home. Eventually my creative outlook re-emerged to focus on drawing nearer to home, as I've done in the past.



Installation view during MK Calling 2020,
including the vitrine with my art display
Picture credit: MK Gallery. 


Creating New Pathways


However, I was heartened to see lots of other people launch online art clubs and events, making the most of people's extra spare time as they worked from home and spent less time travelling. The availability of events, using Zoom and other online resources, has hopefully squashed a lot of arguments against flexible access, where travelling distance, time and costs have meant that some events have been inaccessible to many. The ability to screen and record events for sharing online, engage with communities via social media, run live interactive events on various platforms and even set up 'stalls' and promote work in international online events, mean that a lot of invisible access barriers have been flattened in the last year. If the arts want to support diversity, then this is one step closer to equal access for all.

In 2021, the availability of vaccinations and the natural optimism of Spring, is bringing hope to everyone. Whilst there is a temptation to simply return fixed locations to share art from, I'm hoping that some of the more distance-learning methods of sharing the arts will be here to stay. Here's to a more fluid and flexible access path to arts and crafts in the future.

Artists are always innovating and a more accessible approach to participatory arts and associated funding could be the start of a more connected era in the arts. If our brave new world has learnt some useful tricks from this pandemic, maybe some long-lasting benefit will have come out of it after all.


Installation view of my artwork 
 in the vitrine display of MK Calling 2020.
Picture credit: MK Galley / S. Raymond


13 February 2020

MK Calling 2020


The MK Calling 2020 show, opens this weekend at MK Gallery​, with over 130 amazing artists. This exhibition includes two framed drawings of community events and four of my sketchbooks. The sketches on show cover the period from roughly mid-2017 to the present, many featuring scenes in Milton Keynes. These look at public and community spaces, and how they are used. More recently I have started to focus on how these spaces are used to provide peer support.

Saturday 15 February- Sunday 17 May 2020

FREE ENTRY

Gallery blurb:

Featuring over 130 artists across five world class gallery spaces, MK Calling is MK Gallery’s first open call submission exhibition in the majorly developed and extended building that reopened in March 2019. The exhibition will showcase a range of established and up and coming artists, very much celebrating what is happening today in contemporary art.

MK Calling will be showcasing the most dynamic work being made today including work by Royal Academicians, and alumni of The British Art Show, John Moores Painting Prize and New Contemporaries.

The show features numerous pieces that address and challenge many contemporary issues such as the environment and the political climate, as well as a number of playful and performance works. With the exhibition taking place in the new town of Milton Keynes and with a third of artists local to the area, a lot of the work also looks at cities and architecture.

Artists:

Ikran Abdille | Miraj Ahmed | Saint Akua | Giuseppe Alfano & Roisin Callaghan | Chris Alton | Bronya Arcsizewska | Artist I. Relevant | Astrid Baerndal | Bill Balaskas | Bianca Barandun | Pietro Bardini | Charlie Barkus | Namen Basil | Anna Berry | Daniel Blumberg | Boyd & Evans | Eleanor Breeze | Melanie Bush | Lil Cahill | Nathan Caldecott | Ciara Callaghan | Phil Carney | Priya Chohan-Padia | Sarawut Chutiwongpeti | Jonny Clapham | Dovile Dagiene-Doda | Shona Davies | Dave Monaghan & Jon Klein | Charlie Denning | Edward Durdey | Lee Farmer | French & Mottershead | Doug Foster | Archie Franks | Abi Freckleton | Emi Fujisawa | John Garrad | GLRGNYNK | Fiona Grady | Garth Gratrix | Thomas Gray | Lucy Gregory | Habib Hajallie | Emily Hawes | Aaron Head | Rebecca Herbert | Fabienne Hess | Dave Hilliard | Len Hollman | Gareth Horner | Will Hurt | Dawn Iles | Hannah Jean Moulds | Permindar Kaur | Judy Kendrick-Simonsen | Neil Kilby | Adam King | Jane King | Kyle Kirkpatrick | Anna Lann & Jonathan Tritcher | Penthouss | Karolina Lebek | Fei Li | Dasha Loyko | Andrew Macdermott | Henrietta MacPhee | Rachel Magdeburg | Nick Malone | Morag McInnes | Sean Michael Pearce | Verity Millest | Elisabeth Molin | Callum Monteith | Stuart Moore | Nazanin Moradi | Adam Neal | Raymond O'Daly | Kate Parrott | Jam Patel | Sharda Patel | Marion Piper | Lisa-Marie Price | Jonathan Purnell | Paul B Rainey | Suzanna Raymond | Thom Rees | Dorothea Reid | Yande Ren | Graeme Roach | Dave Ronalds | Linnet Panashe Rubaya | Rekha Sameer | Mark Scammell | Abbie Schug | Christina Shelagh Mongelli | Martyn Simpson | Cecilia Sjoholm | Rebecca Smart | Ritu Sood | Stephanie Spindler | Bob Spriggs | Johanna Tagada Hoffbeck | James Tebbutt | Tracing the Pathway | Sebastian Thomas | James Owen Thomas | Elizabeth Tomos | Roxy Topia & Paddy Gould | Anna Townley | Dina Tses | Anna Turner | Miles Umney | Guillaume Vandame | Wai Wai Pang | Vilas | Elizabeth Walker | Lufeianna Wang | Sally Waterman | Emma Wilde | Mark Wilsher | Arianne Wilson | Iain Woods | Josh Wright | Rachel Wright | Cherilyn Yeates | Henry Yeomans

24 November 2019

Sketchy Plans 2019

My first sketching event was outside the newly refurbished MK Gallery


A Short History of Drawing Around Milton Keynes



It turns out that 2019 became the year I started running events for a Milton Keynes sketch group. This is a Facebook group that I initially took over from local artist Dave Hilliard, who had run a few events before I showed up. As another local group had ground to a halt after three events, I knew that if I wanted to see more events in the area I had better start running them myself. So I took the opportunity to try and create my first local arts programme for sketching in urban spaces.

My intention was to run a few events using my community engagement experience. I was also aiming to shed more light on the benefits of urban sketching, activities that were proven in more established groups in Bedford, Northampton, London and other areas. Taking a  few pointers from Dave, who had been part of the Northampton group, we made a start around the time that the refurbished Milton Keynes Gallery was due to re-launch.

Our first event took place in Margaret Powell Square, which sits just outside MK Theatre and the art gallery. Our second event was inside the galleries, taking advantage of the first exhibition called "Lie Of the Land", which seemed quite appropriate for an urban landscape sketch group.. In August we made it to our landmark fifth event. This means that I have now run more urban sketching events in MK than any other local organiser. I've taken a short break, to attend to other matters, but I hope to get back to scheduling more local events soon.




A Day Trip to Regents Park



To make sure I understood the basic model for sketching events, I joined the Urban Sketchers London group in July for an all-day sketch trip around Regents Park. This was a fun, informative event and I even got one of their badges! Their 'Draw London' event ran from 11:00 in the morning until 3:30 in the afternoon. These sketch gatherings were run as free events with no booking required.

As I arrived in Regents Park a little late, due to misjudging how long it'd take me to get to the start point, I was worried I'd miss the group. However, the group leader had stayed by the inner circle gates long past the start time to direct latecomers. As a bonus, I also ended up meeting local contact Sophie, who had started the Bedford urban sketchers group, and she gave me a few pointers. We formed a small group with a guy visiting from Hamburg and London member Elvin, who knew the group leader.

Our group went looking for a spot to sketch from and ended up diving into the Benugo cafe when it started to rain. We had two other sketchers join us at our table. As I wanted to know why everyone was there and what kind of sketchers they were, I was keen to chat to everyone. In the end we learnt a lot about each other while were sketching. After lunch, when we relocated to the next meeting point, I had a similar experience seated next to another sketcher on a bench facing a fountain.

Sitting in a central public space also turned out to be a good way to meet up with people you know, as I spotted graphic novel legends Paul Gravett and Peter from Comica London and Escape books taking a stroll around the Triton Fountain. We had a bit of a catch-up chat before they continued on their way.



In the end I stayed for the whole thing, including sketchbook throw-downs and group photos. From my point of view the event was a success, as I found out that my events are run in a similar format to that of a more established group. I also found out a lot about how and why these groups are run and what else may work for drawing sessions in my own area.

It turned out, from speaking to others with more experience, that becoming an official urban sketchers group is something that'll have to wait until we have more active members. Otherwise, we seem to be doing fine, albeit with less strict guidelines about what members post to the MK group. I look forward to hopefully enticing more people out of their homes with a sketchbook to explore their local area.



Links:

Drawing Around Milton Keynes (Facebook)
Urban Sketchers London chapter


15 March 2019

Drawing Breath in 2019

Sketchy Plans


Bit of a slow start to the year but it's one of those times in life where apparently no-one has a clue what is going on, so we can be forgiven for winging it.


MK sketch group outside the new MK Gallery (Feb 2019)


Milton Keynes Sketchers


A couple of years ago I discussed the idea of setting up an new MK sketching group, as the one I'd joined had ground to a halt after three events. A neighbour gave me space on her Meetup account and I was also invited to take over a Facebook drawing group. Both of these sat relatively dormant until this year when I started to run events in February.

We had our first sketching social event in February, during a few days of unseasonably warm weather. This made for a lovely, sunny first event, where we sketched outside the new Milton Keynes gallery, which was in its final run up to opening in March.

The next event for the group will return to the gallery on 24th March, so that we can have a group tour of the building, catch the first exhibition and socialise in the new cafe.

If you like to join us you can find out more about the group and event details here:

Facebook: https://www.facebook.com/groups/1451140798544828/
Meetup: https://www.meetup.com/Milton-Keynes-Sketching-Meetup/


The New MK Gallery


The MK Gallery has had a fab, shiny new £12m makeover and I'm looking forward to seeing in on its open day on Saturday 16th March. There was a private view on Thursday, which seems to have been very well attended. I'm buzzing for the official open day, which will have lots of free activities to indulge in from 11 am onward. I love free stuff.

The first exhibition looks like it'll be fantastic for fans of urban landscape, like myself.

"#TheLieoftheLand charts how British landscape has been radically transformed through changing attitudes to free time, culture and leisure." - MKG publicity . 

There are tons of articles about how the gallery has been redesigned by 6a architects with input from artists Gareth Jones and Nils Norman to create a City Club harking back to the early days of Milton Keynes. Also, the new building incorporates a much-needed cinema and performance space, a stylish new cafe and a refreshed paint job inside and out.

"artists Gareth Jones and Nils Norman have collaborated with 6a architects and graphic designer Mark El-khatib to create City Club, a sequence of new public spaces in and around the new gallery. This includes the foyer and café, plus a playscape, garden and a new façade for the existing gallery building." - a-n News




8 October 2018

Sketching for MK Lit Fest

Sketch of the MK Lit Fest launch event for the MinK zine.

Live Event Sketching 


In September I was very pleased to take on an assignment for our local literary festival (now in its 2nd year). The MK Lit Fest organisers had seen an artist in residence at another literary event and approached me due to seeing my own sketches of last year's MK Lit Fest event on Instagram.

Sketching at an event is a fun an interesting mix of observational drawing and listening to the speakers. There are many ways to go about this but the one I use is to sketch 'live' on location, adding notes while I work or after the talk. I also take colour notes as I like to add watercolour washes to my sketches.

Another way to work might be to use the sketches as the basis of a more finished looking piece, possibly stringing together a theme or bullet points from the presentations. At this event we went with the immediacy of the loose sketching style which I use for urban sketching. My first sketches took in the launch event, including contributors to the MinK zine, followed by the first star guest. My notes are a mixture of comments from the speakers and background information which I researched when I got home.

VG Lee reading at MK Lit Fest

Sharing on Social Media


When the pictures of my drawings went up on social media, we also tagged in the various writers and local arts organisations. My literary festival sketches seem to have gone down particularly well with the writers from the Polari Literary Salon, based in London, who were delighted to find out that they'd been sketched whilst they were on stage. Other sketchers may have gone for a more flamboyant approach and could have made sketching more of a performance piece but my style is to sit quietly in a corner and to do candid observational sketching.

The organisers told me that posts on Facebook seemed to encourage more clicks and posts on Twitter seemed to generate more discussion. Overall the experience seems to have been a great success for both myself and the organisers, so I'd consider doing this again for another event.

Live Sketching Tips


For anyone looking for tips on practising this style of reportage, I'd recommend investing in a couple of sketchbooks, some pens or brushes that you feel comfortable drawing quickly with, a portable set of pan watercolours, watercolour pencils or gouache colours. Find a comfortable place to stand or sit while you people-watch, if you perch quietly in one place then people and animals tend to feel more comfortable than if you fidget or announce your presence. If you're uncomfortable with drawing people then start practising by drawing the environment and take some life drawing classes to improve the way you draw figures.

Also look at examples of urban sketching on websites. There are local sketch groups in Bedford and Northampton if you want to embrace the social side of sketching and a Facebook group for sketchers like myself in Milton Keynes.

To see more of  my MK Lit Fest sketches, please take a look at my Instagram account @srfirehorseart.

Note: an earlier version of this article appeared on LinkedIn.

12 September 2018

Eventful sketching

MK Lit Fest 2018


MK Lit Fest 2018 announcement

MK Lit Fest 2018 announcement

Residency


It is the second year of the new literary festival for Milton Keynes and this year the organisers have selected me to be their artist in residence. This will be a new experience for both of us, so I'm excited to see how it'll work out. I'm always happy to sketch indoors with tea and books on tap, so it should be fun.

Last year I went to MK Litfest mainly to see how the event represented diversity and I was pleasantly surprised. I ended up enjoying the talks more than I expected and took some sketch notes at the event which I shared on Instagram, tagging in the event's authors and publishers.

The organisers liked my drawings so much that they've asked me back as their artist in residence. I'm looking forward to sharing my best sketches with everyone via Facebook and Instagram. I've already shared a sketch I made at one of their 'taster' events at MK Gallery.

I'm also looking forward to seeing a print copy of 'MinK, their new 52-page literary zine, at the launch event on the 21st September. There should be an online version too for those unable to attend the festival.

This year's event runs from Friday 21st through to Monday 24th September at the Holiday Inn in central Milton Keynes. You can find out more about it here: https://www.mklitfest.org/


Location sketching



If you want to see examples of other people sketching on location I'd recommend Dutch illustrator Maaike Hartjes for a cartoon (comics) based style, Canadian journalist and war artist Richard Johnson's line drawings, artist and author James Gurney for painting on location, plus a whole raft of urban sketchers.

5 August 2018

Maze Life

Twists and Turns in 2018





One time I attended an event in a hotel that had some amusing notices posted up by a witty attendee. These read ' YOU ARE IN A MAZE OF TWISTY LITTLE PASSAGES, ALL ALIKE'. This phrase, I later learnt, has its origins in a computer game developed for the PDP-10 * about which you can read more here.

My feeling about most of the first half of 2018 is also summed up by the above phrase, which is why I haven't written any updates until now. If I wanted to get more philosophical I might reference Plato's allegory of the cave but I think that can wait until another post.

In June - July I had my first exhibition of the year, for Arts For Health Milton Keynes, with MKDAD 2018-You See Me-moving forward. In this I was happy to show a bright, bold paper collage of mine that I'd made as part of an MK Gallery workshop with the English National Ballet. You can see more about the show on my Instagram feed here.

In July I also hooked up with Avant-Gardening and Lisa Cheung, who are artists running some art-linked outdoor play events this summer, as part of the MK Festival Fringe 2018. You can read more about their events here.

Anyway, things have started to pick up again now and so my next bit of news is that I made a new page of artwork using some of my urban sketches. This was put together specially for a new Milton Keynes literary zine called MinK, which is linked to the second MK Lit Fest literary festival. My page was selected and will be included in the zine but ...

.. if you'd like to make sure there is a print version (and bag yourself some rewards) then please support the MinK zine Kickstarter campaign by 4pm on the 8th August. They're most of the way to the target and just need a few more supporters to reach the goal but there's only 3 days left!



* many years ago I programmed a PDP-11, so I know the kind of kit they refer to

30 November 2017

MK Fifty

Pathfinding


A quick post, in case you've wondered what else I've been up to in 2017, the year that Milton Keynes turned fifty years old.

Soon after the MK Calling exhibition at MK Galley, I had a solo exhibition at Stantonbury Gallery, Milton Keynes.

This exhibition at Stantonbury Campus explored the unpredictable nature of the urban landscape and the winding path of the emerging artist. These paths were represented by a series of works created during and after my Fine Art degree. The images look at the contemporary art world and the contemporary urban world, asking you to enquire about the usefulness of endeavour in the face of the temporary nature of success and the variety of ways achievements are absorbed by and re-purposed by the environment they exist in. These vignettes of decisive moments in the paths creative artists tread, mark the progress across unclear boundaries between achievement and failure, death and renewal.

Works on show included photographic prints from my degree final project. As my sketchbooks had been a popular item at MK Calling, I brought a few of those along to share at the private view.

Whilst this was a small event, it at least afforded me a sense of closure about my degree work, as I was able to show more of my final work to the public. This made up for the lack of a final university degree exhibition, a rite of passage which most fine art degree students expect as a matter of course. My final work had been displayed at the University of Northampton for grading by my tutors but unfortunately the university didn't permit me to share this with my friends and the general public at the time.

You can find a couple of photos about the Pathfinder exhibition on Instagram.




Image: Untitled (Path), a triptych of photographic prints, mounted on board.  Approx. (h. 430cm x w. 230 cm) x 3.



Installation view of Pathfinder at Stantonbury Gallery. The empty plinths were used to display some of my sketchbooks on the day of the private view but could equally be taken to represent the ephemeral nature of some artworks and artists' careers.

18 April 2017

MK Calling 2017

Celebrating the urban landscape of Milton Keynes.




The next MK Calling exhibition at Milton Keynes gallery previews on April 20th. This show was an open call for artists interested in architecture, construction and links to Milton Keynes. I'll be showing my urban sketches as part of this event, which fits in well with my current work. You can read more about my urban sketching in MK on my new page: https://srfirehorseart.blogspot.co.uk/p/gallery.html

MK is celebrating its 50th anniversary this year and the gallery is opening the space again for this show before the site is re-developed over the next two years. When the refurbished gallery re-opens it should have more space and facilities like a cafe.

This spring, MK Gallery showcases new and exciting work by over 70 emerging and established artists in MK Calling 2017. This exhibition is designed to celebrate the breadth of creativity around Milton Keynes and will include a wide range of art forms alongside a dynamic programme of events and participatory sessions.

- from the MK Gallery website http://www.mkgallery.org/exhibitions/mk_calling_2017/

It's great to be showing at the gallery again, with a theme that I'm currently exploring. Everyone is invited and MK Gallery are promising music, food and drink (as well as the art of course) at the preview.

The exhibition runs until 27 May 2017.

7 March 2017

Tarting About




T'Art Zine


The T'Art show for International Women's Day 2017 has opened at Bones & Pearl Studios, in London. It's a group exhibition celebrating International Women’s Day with participatory zine making!

Following the Sweet 'Art group on Instagram led to me spotting an opportunity to contribute to the T'Art zine that forms part of this year's event. The page I submitted is the same one that has appeared in Girl Frenzy to Crone Frenzy but it will hopefully get a new audience at this event.

The T'Art show runs 7th - 9th March, with an opening event in the evening on the 8th March. See more about what they do at http://www.wearesweetart.com/

The CAS PostIt Exchange


Following up a link I saw on Facebook, I'm pleased to say I have been selected up to take part in the Chapel Arts Studios Post It Exchange. The CAS project, based in Andover, is about putting together artists to collaborate on items they post to each other. The results will be shared on Instagram with the #CASpostitexchange tag. My Instagram name is @srfirehorseart.

The project has just launched in pilot and they're still open to including more artists. More info on the project is on their website:  http://www.chapelartsstudios.co.uk/events/event/pilot-cas-postit/

Seventy Percent Admin


As has been observed elsewhere, an artist's life is only somewhat about creating wonderful things, the bulk of it is everything else. That means working to pay the bills, filing, submitting your tax return, DBS updates, insurance, networking and so on. After all that you may be able to squeeze the creativity into the last 30% of your time.

Likewise with my own life. So I've just updated my CV and artist's statement and have applied to another MK Calling exhibition at MK Gallery, this time with some of my urban sketches. Wish me luck!

19 October 2016

Pecha Kucha MK


Creatives Talking


Since recovering from a bout of illness, I've dived back to the fast-flowing stream that is 2016. Last week I attended the local gathering for comics and zine creators and indie publishers hosted by Milton Keynes Gallery.

It was great to have such a buzzing session where everyone seemed to find someone to swap ideas and stories with. The idea was to have a space where the kind of creatives that attended MKomix in 2012 could meet up. We're making use of the existing MKomix Facebook group to keep the conversations going after the event and a similar opportunity to get together should happen again early in 2017.

Pecha Kucha MK


Even though I thought I knew what Pecha Kucha was, having heard the term applied to a couple of gallery events, I didn't realise it had an international and licensed format. Milton Keynes now has an official license to hold Pecha Kucha events, with the interesting twist that the creator of this format and platform used to live in Wolverton, Milton Keynes, where the first talk will be held.

The first event will be free to attend and I will be one of its speakers. My slide show (20 slides, 20 seconds each) will talk about my experience as a new emerging artist. The presentation will cover my creative interests in urban & social landscapes, contemporary art. urban sketching, comics and zines.

The first PK event will be on Wednesday 19th from 7pm, see this link for more details.

1 February 2016

Something Old Something New - 2016



Welcome to 2016 and congratulations on getting through January if you've just done your tax return (more on that in another post)!

As luck would have it, my art year started with a photography competition that was easy to enter. I just had to point the organisers to an image (see above) I'd shared on social media last year. Once the photo made it to the shortlist, all the finalists then went to a public vote, which you can still help me with ...

Please help me out by voting (until 5th February) for 'Car Park Drama' at the MKsmart photo competition public vote page. Many thanks!

It was interesting for me to note that my image, created with a smartphone camera and app, joined a shortlist of pictures taken on better equipment. The size of my image means that any prints would be relatively small but the fact that my picture made a shortlist proves to me that it's worth making the most of timing and a good viewpoint, regardless of what camera you use. It would more professional to use better quality camera kit but I find that a smartphone allows for more freedom when taking quick shots. It lets me get away with taking a lot of shots that might have never happened if I'd had to keep a D-SLR slung around my neck, or in the boot of my car. As smartphone cameras improve, I expect to see a lot more photography entries like mine in the future.

Part of my preference for using a smartphone for urban photography is that few people question anyone stopping to take a shot with a phone in a shopping centre or busy public space, as it is currently such a common activity. Also my cameraphone is always on hand, whereas a D-SLR might require more than one trip if I needed to plan the shot. Some locations that put restrictions on photography may require asking for permission to take a picture with an SLR or a decent pocket camera but smartphones don't seem to attract the same scrutiny, unless there's an over-zealous security guard around.

I'd be interested to know if you value image quality and print size over capturing the moment. What do you think is more important for your favourite images?

---

Winners of the online vote will be announced at the exhibition and networking event at Gallery 200 in Milton Keynes College. Click here to book your place at the event on Friday 5th February.

14 July 2015

Arts Development Funding (2015)


Arts Development Slide


In my previous post, I was considering the skills that an artist needed to learn to operate in a way that was akin to a small business. I have mulled over this point and come to the conclusion that if we were to ask ‘Does an artist need to operate like a small business?’, the answer could be ‘Yes’, ‘No’ or ‘Maybe’.

In short, it all depends on how an emerging Fine Art artist wishes to make their living. Here are the options I've noted so far:

  1. If you’d asked your tutors you may have been told, as I was, to get a full-time job and make your art in the evenings and weekends. As a degree student I was disappointed by that suggestion. It seemed to reduce our graduate efforts to the same level as a self-taught artist (and some of those are excellent), effectively making the degree merely three years of negotiating how to obtain a piece of paper with the university’s crest on it. However, some thinking suggests that getting a really dull job will leave your mind to be fully creative in your time off, without the worry of how you’ll pay the bills. 
  2. If you've observed graduates working in arts admin and gallery jobs, you’d have seen the concept of portfolio working in action,  a strategy which requires you to fit your art projects around various part-time arts jobs. Working for arts bodies suggests that you’d be making valuable contacts all the while but you may risk get pigeon-holed as a technician or education officer, rather than as a practicing artist.
  3. It seems to me that this leaves one other option, supposing you haven’t got a trust fund, an agent/manager, patron or a relative with deep pockets. That option is to make your own opportunities including looking for your own funding.  That may be a necessity anyway even if, as the Guerrilla Girls [1] might have put it, you have escaped the art world with your four free-lance jobs, since your income may still not stretch to a studio of your own and related expenses. So, the way I see it, once you start getting into the habit of organising your own events, promoting, selling and funding your own work, you effectively need the same skills as any other small business person.

Arts and Culture Development Day (June 2015)


In early June, Milton Keynes Council arranged for an ‘Arts and Culture Development Day’ with Arts Council England [2]. There had been a similar event last year but this time the format was different, apparently because Milton Keynes arts grant funding applications had been less successful than usual, which was a concern for ACE and the MK Council arts team.
This was a free event “For artists, arts organisations and those who use the arts in their work. Come and join us for talks, advice and discussion on the development of arts and culture in Milton Keynes. The event will include advice on developing successful funding applications as well as a chance to hear more (and have your say!) on arts and culture opportunities in Milton Keynes. “

As usual I made lengthy notes but I’ll stick to the key points in this post. Lucy Bedford* has also allowed me to share the event slides, which I have put in the cloud here. [3]

Key points from my notes:


  • Council resources - Lucy Bedford*, in MK council's arts and heritage team, now has 10 years of experience of arts properties, arts strategy, development and monitoring grants, so she’s an important source of local help. Likewise, if you’re outside MK then it’ll be worth checking what arts officers may be able to offer at your local council.
  • Creating Your Project – Aim to explain your project on one side of A4, in a jargon-free way. Identifying opportunities to collaborate with other groups and projects in England gets you extra brownie points.
  • Do Your Research – Get information on what’s happening in your field of interest locally and nationally.
  • Needs Assessment - Look for an identified need for your arts project in your local area. This information may come from a local funding organisation’s report, the council’s arts & heritage strategy or from looking through ACE papers and research (e.g. the latest Arts Council Plan in the Advice & Guidance section of their website).
  • Funding – Build in other sources of funding, such as ticket sales and donations, as an ACE grant alone will not cover all your costs and you’ll be expected to show 10% match funding (which may be ‘in kind’ offers of space for example). Other grant funders may require individual artists to work with an organisation, so look for partners to put in partnership bids.
  • Partners – Aim to do work that is mutually beneficial, e.g. running workshops for the host organisation and sharing expertise.
  • Timescale – Project managing your time is very important. Allow 3 to 6 months to bring in the funding. Your event timescale should include workshops and other events in your project, such as reporting back to your funder, rather than just the final outcome.
  • Artistic Quality – ACE are looking for this quality in your arts projects. ACE need to know a) about relevant artistic work, experience and achievement; b) who’s involved and the quality of mentors and arts supports. Your executive summary should be about 100 words and is best written like the conclusion to an essay.
  • Public Engagement – Who will engage with your activity, how will they engage, how will you measure it and who is your target audience? Note that any research and development events you run can provide data for future funded events, so keep records of results throughout.


Footnotes


[1] The Guerrilla Girls – conscience of the art world
http://www.guerrillagirls.com/posters/advantages.shtml
http://www.guerrillagirls.com/info/owa/owa.shtml
[2] Arts Council England – Funding
http://www.artscouncil.org.uk/funding/
http://www.artscouncil.org.uk/advice-and-guidance/browse-advice-and-guidance/great-art-and-culture-everyone
[3] MK Council slides from the Arts and Culture Development Day




19 September 2014

Art Picks for September



Installation view of mounted digital prints. All prints © S. Raymond, 2013.
These prints are being exhibited with ConNEcTWORK in Sept/Oct. 2014.

UK Art picks and reviews - September 2014 (last chance to see)


BP Portrait Award
Another popular open submission prize and exhibition. Mostly representational art and I rarely agree with the first prize selection, tending to prefer the runners up but I still love to go and see what is thrown up each year. The travel prize is also always interesting.
Top tips: Admission Free, open late Thursdays and Fridays.
National Portrait Gallery,  St Martin’s Place,  London,  WC2H 0HE / 020 7306 0055 / Until 21 Sept.
http://www.npg.org.uk/whatson/exhibitions/bp-portrait-award-2014/the-exhibition.php

Bristol - Jeremy Deller: English Magic
Jeremy Deller's English Magic tours to Bristol in April, for the second leg of its trip around England. This time the exhibition's local links will include include new installations and commissions made in direct response to the museum’s own collections; including paintings of the Bristol Riots of 1831 by William James Muller and a display of taxidermy, handpicked by Deller.
This was one exhibition I was very glad to visit at the William Morris Gallery, as I couldn't get to the Venice Biennale and I wanted to see English Magic in person. Jeremy Deller makes the kind of work I'd like to be making myself. I need to find my own way there, so I take work like his as an inspiration that the art world still supports artists making socially-inclusive artworks.
Top tip: See the the museum events list.
Bristol Museum and Art Gallery, Queens Road, Bristol, BS8 1RL. / Until 21 Sept.
http://www.bristol.gov.uk/page/leisure-and-culture/jeremy-deller-english-magic-exhibition

Mondrian and Colour 
Blurb: 'See over 50 works spanning Mondrian’s journey, many from the Gemeentemuseum Den Haag, which holds the largest collection of Mondrian’s paintings, along with exhibits from museums and private collections in Europe and the USA.'
Turner Contemporary, Margate, Kent CT9 1HG / + 44 (0) 1843 233000 / Until 21 Sept.
http://www.turnercontemporary.org/exhibitions/mondrian-and-colour

Mondrian and his Studios
The partner exhibition to Mondrian at the Turner Contemporary (above)
Blurb: 'This brand new exhibition, which commemorates the 70th anniversary of the artist’s death, provides fresh insights into Mondrian’s practice and explores his relationship with architecture and urbanism.'
Tate Liverpool, Liverpool / Until 5 October 2014
http://www.tate.org.uk/whats-on/tate-liverpool/exhibition/mondrian-and-his-studios

ConNEcTWORK
Last chance to see some of my work at a central Milton Keynes arts venue.
This open-call group show is around the theme of a 'Network', especially human networks and their cyclical nature.
Email info@artsgateway.org.uk to organise a time to come and view the work
Arts Central, 3rd Floor South Station House, 500 Elder Gate, MK9 1BB / 01908 241122
Extended until 3rd October.
http://www.connectworkexhibition.co.uk/
http://www.meetup.com/artscentral

Platform at MK Gallery
"A group exhibition of exceptional work by graduating students from around the region, selected by MK Gallery from University of Bedfordshire, Bucks New University and University of Northampton.
One Platform exhibitor will be nominated by MK Gallery for the South East regional Platform Graduate Award, for a chance of winning £2,500 and a twelve month mentoring scheme.
Now in its third year, the Platform Graduate Award 2014 profiles new talent emerging from universities and colleges in the South East region."
MK Gallery, 900 Midsummer Blvd, Milton Keynes MK9 3QA / T +44 (0)1908 676 900
Until 28 September
http://www.mkgallery.org/education/projectspace/platform/
http://frameandreference.com/platform-graduate-showcase/


More useful links


The Guardian - Art and Design http://www.theguardian.com/artanddesign
The Telegraph's art exhibitions and reviews. http://www.telegraph.co.uk/culture/art/10377204/best-art-exhibitions-London.html
Arts Gateway MK http://www.artsgatewaymk.org.uk

28 July 2014

Invisible Sketch for MK Festival Fringe

Project - 'Invisible Sketch' for MK Fringe: Pitch (events in tents)




This year I returned to the latest Milton Keynes Festival Fringe as an artist supplying a project for their Pitch three-day programme. Having been one of the support volunteers at the last event, I was keen to get stuck in as artist practitioner. Also the theme intrigued me, linking in with my interest in subjects that pertain to the collapse of social structures.

All of the participating groups and artists were given a second-hand tent each, to create an event around. As this was the first time I'd designed my own public event outside a gallery space, I decided to keep this one simple. As our events were to be around the theme of refuge, I decided that mine would be a space where visitors could share their own stories about places they felt safe and happy. To this end I created a sheet that gave visitors some suggestions about how to tell their story and I also offered to help anyone who wasn't comfortable drawing or writing a creative piece on their own.

To find a balance between options for expression and creativity the stories could be written or drawn, using the pens, pencils and crayons provided. The resulting works were as varied as my visitors, some only in text, one drawn in monochrome pencil, others in bright colours. I was particularly pleased about the wide age range of those that took part - from 4 to 60 years old. All the finished pieces were on display for all to see, in and around the tent for the whole three days.

The three day Pitch event ( 22nd - 24th July) sizzled in the baking hot sunshine, which presented some problems for staying cool but ensured we all got a tan. The MK Fringe's 8 day programme ran alongside the larger MK International Festival 10 day arts festival, with the Fringe focussing more on engaging local artists and performers, including small festival productions.

See my Facebook album of 'Invisible Sketch' artwork and pictures of the other tents here:



3 April 2014

News: Janus exhibition

JANUS at Arts Central

ARTS Central MK announces the opening of a new juried exhibition, based on the theme JANUS – Horizons, Reflection, Water, Mirror, Buildings. 

Detail from Lightbox 1 artwork for Janus exhibition.


My work for the Janus exhibition was a response to an open call for work, around the themes described above. Both of my artworks have been selected to form part of a juried group exhibition to promote artists connected to Milton Keynes and raise the profile of the arts centre.


In the two works submitted to Janus, presented as digital inkjet prints, I was interested in the way our viewpoint can affect what we make of a situation and how much an illusion can create a form. The two photographs offer the illusion of a solid form, apparently beautifully lit from within whereas the reality is that the illusion changes by altering the angle from which we see it. As in life, we change the subjects we thought we knew just by changing our viewpoint.

The reflective qualities of the surfaces and the light they capture might prompt us to think about how we reflect on the situations in our lives. We may jump to conclusions about truth and beauty that are unwarranted by the facts and just one small step in a new direction can enlighten us in our quest to understand the situation more deeply.


Lightbox 1 and Lightbox 2, digital inkjet art prints on paper.
Lightbox 1 and Lightbox 2, digital inkjet prints on paper.

The exhibition opens this week and runs until the end of May.

MKWeb article about the exhibition and how to visit: http://www.mkweb.co.uk/Art/New-Arts-Central-exhibition-reflects-Milton-Keynes-talent-20140330090000.htm#ixzz2xp6ODKTS

Arts Central on Meetup: http://www.meetup.com/artscentral/

6 November 2013

Time to think

In September I graduated with my BA in Fine Art from the University of Northampton. You didn't miss news about my degree show because I didn't have one but I'll discuss that another time.

Since then I've been taking my time to relax a bit and think about what I want to do next. My plan was to write some thoughts about degrees and 'art school', do some art fairs and then look for some paid work. Like all the best plans, this has been constantly modified as I've gone along.

If you've been listening to Grayson Perry's Reith lectures, available with their transcripts on iPlayer, you'll have realised that the art world is a many-layered and wonderful thing. I was interested to hear that Perry thinks that contemporary art has now been embraced by the mainstream:


"It’s no longer a kind of little backwater cult. It is now a part of mainstream cultural life."


Hopefully this makes my own artistic aspirations more accessible but that remains to be seen and in the meantime I have visited art fairs (more on that later), checked out the arts and heritage strategy for England and Milton Keynes and looked for arts jobs.

The latter topics also tie in with my final year project where I looked at the art world and the way it works within its own organizational structures, starting with the degree process and the way that is propagated into galleries and art fairs. In this I sympathise with Perry's aim to make the work in contemporary galleries more accessible, as there still seems to be wide gap to be bridged between the art that has been taught at school, where technical skill tends to be highly valued, and the principles of contemporary art taught at degree level which rejects the restrictions of artisanal accomplishments.

As Grayson Perry says:

"Well I hope to ask and try to answer those obvious questions that I think that a lot of people who aren’t you know members of the art world ask when they go into a gallery and they’re slightly bemused or maybe angered by the work, and I want to sort of maybe say you know help them, give them tools to understand and appreciate art."




11 July 2013

Exhibition - MK Calling at Milton Keynes Gallery

"MK Calling (28 June – 8 September 2013) is the Gallery’s summer programme of exhibitions and performances, featuring 100 artists, musicians and performers from Milton Keynes. This dynamic season of painting, video, dance, music, poetry and much, much more will showcase MK’s finest emerging and established talent."

- See more at: http://www.mkgallery.org/exhibitions/mk_calling

My work Path (2012) was selected for inclusion in the first full open exhibition at Milton Keynes Gallery. Nearly 100 creatives were picked from around 300 applicants, to show work at the main gallery and over at Artworks-MK in Great Linford. My artwork will remain on show in the main gallery space for the duration of the programme. There's a full-colour catalogue to accompany the exhibition and these are for sale at the reception desk. Reception also has a price list for the artworks, if you feel inspired to take some home.


Path, 2012. Installation at Milton Keynes Gallery.



Path was created from two of the images used in a triptych (see image below) of A4 inkjet prints, an image which you'll also see with my bio in the catalogue. Path was conceived as an installation piece, with each inkjet print to be hung opposite the other. I'm glad to see that they look just as good hung together on the same wall in the Middle Gallery space. Each print is on semi-matte paper, which makes a feature of the velvety darkness in the images.


Untitled, 2012. Triptych of inkjet prints on paper.


Suzanna Raymond on Facebook: https://www.facebook.com/sraymond.artworks
MK Calling launch and Summer Party official photos.